StatementAfter struggling though nearly a decade of an unstable and unpredictable commercial design job-market, I chose to shift my focus to primarily making art. Two economic recessions and being laid-off twice has narrowed my focus towards art about the workplace, labor and unemployment. I have recently painted objects associated with labor such as cubicles and time-clocks, and have built cubicle-like spaces, all of which have become proxies for my experience.
When making paintings and installations about the workplace, I try to keep a story I heard on NPR in mind, as it acts as a conceptual umbrella for everything I do. It was about two neighboring countries, one with an eye towards democratic elections and the other towards disrupting those elections. To accomplish this disruption the later group bused in rioters. The idea of people being organized to riot was what interested me, and the image of people boarding a bus with a riot as it’s destination was irresistible. This story evoked contradictory images, one funny and one disturbing. I thought of going on field trips as a kid, this time boarding a bus labeled ‘Riot’, which stopped midway to have a nice box-lunch, then continuing on to the riot, then to a museum maybe. An absurd image. But I also found the premeditation required to plan chaos to be disturbing. There existed a simultaneity emotion in the NPR story, and the gulf between those emotions is where I found myself. I want to elevate the mundane, create that gulf for the viewer, and use the above story as a filter for my experience.